HOW DO YOU KNOW WHEN AN IDEA IS STUPID? (Simmons Says #174)


Welcome to my newsletter!

"How do you know when an idea is just too stupid?"

You ever wondered about that Reader?

Many students have asked me, how do you determine what's a stupid idea? How do you know when an idea is really, really dumb, crazy, pointless, and worthless?

One of my favorite answers goes like this: Try to imagine now that someone comes to you with a jar, a glass jar.

You can see in the jar that there's this sort of milky gelatos-like fluid sitting in there. It's not pretty in any way, shape, or form because it could be dirty for all you know, and it's sitting in this jar. And this person who brings this to you is so excited.

"It's like, look what I've made; look what I've discovered here."

And you say, "Well, what is it?"

And they say, "It's gelatin, kind of. It's, it's, it pours into your hand, but it's kind of solid. It's not water. It's not like, Um, it's not like mud, but it's plastic. But you know, you can kind of it will drip between your fingers, but it's not really spilling.

It's sort of like dripping. And it's not quite molasses—it's thicker than molasses."

You're trying to be patient so you say, "And well, okay, okay, great. So you're telling me it's kind of this and that. What can you do with it?"

"Well, you can let it drip from your hand, pour it into different shapes, and squeeze it, you know. Squeeze it until it, you know, gushes between your fingers."

"Yeah, but what, what can we do with it? What is it good for?"

"I don't know yet, but it's really cool, don't you think? Huh?"

When your patience finally runs out, you're probably going to send this person from the office, possibly from the building, definitely off the payroll.

Because your company makes action figures, it also makes ray guns, things that go bang, and that's what you can sell.

What are you supposed to do with some stupid stuff that drips?

Then, at some point, someone figures out, you call it ooze, put it in some sort of a plastic tub, put it on the market, and tell the kids, this is fun because it can drip, and it's nasty, and it's goopy, and the kids will play with it.

And suddenly, you have a million-dollar product.

Later, someone realizes it's like a substance or character in a popular kids' cartoon show. You connect with them, give your ooze another name like Slime, and you have a multi-million dollar product.

So what's stupid? What is crazy?

Stupid is how we might think of something until we actually find a real purpose, market, or audience for it. And how do you do that? You give it time to develop.

It's the same thing with stories.

Best,

Alex Simmons

PS. For more of my insight on this matter, check out this short Simmons Says #11 video, "When Is An Idea Too Crazy?"

*Would you like to add links to my recorded writers' tips to this newsletter?
If so, please
Click This Link.

*If you do not want to continue to receive this newsletter, please feel free to unsubscribe.

If you need any help telling it, let me know.

3959 Saxon Avenue, Bronx, NY 10463
Unsubscribe · Preferences

Simmons Says

Hi, Alex Simmons here. I've taught 100s of aspiring and struggling writers how to overcome their fears and frustrations and create compelling plots, characters, and stories that appeal to a broader audience. Over the years, I've been honored to be a professional author (award-winner), writing coach/teacher, and consultant. I’ve written for many mainstream publishers, Marvel/DC/Archie Comics, and penned plays, interactive games, and video and animation scripts. And I’ve been a global speaker on empowering people through the arts. I have much to share, starting with my Simmons Says Newsletter.

Read more from Simmons Says

Welcome to my newsletter! Why, Bah, humbug? Hey, Reader, It's the holiday season, and we're all caught up in various activities to get us to and from family and friends, work, and festive occasions. We're running around like crazy folks, hopefully in a fun way, this time of the year for a series of reasons. Some could call them motivations. Why do we do what we do when we do what we do, and for whom? Motivations move people, they move events, and they make history tragic or celebratory. When...

Welcome to my newsletter! "Hope I'm Funny." Hey, Reader, For the sake of good cheer and smiling faces this time of year, I want to talk about writing comedy. Many of my writing students come to me with the question, “How do you write comedy?” How do you write comedic bits and scenes into a dramatic story? They’re worried because something they wrote wasn't funny. Or they couldn't think of anything witty. They put so much pressure on themselves to get it right the moment they start writing....

Welcome to my newsletter! "Why do people do what they do?" Hey, Reader, Have you ever asked yourself that question? Writers study people. It’s part of our job. To know people is to know your characters, and vice versa. At what point does an irrational act seem rational in someone's mind? How much pressure can a person take before desperation causes them to do something that can never be undone? How frightened can we become that giving up our reputation and moral center is justifiable? How...